开世界之门，铸民族之魂——世界级艺术大师代表人物高明柱专题报道

    高明柱，1952年生人，字敬之，号寻径斋，祖籍河南邓州，居北京。中共党员，毛体书法家，诗人，国家高级书法师，国学大师，百年巨匠。现担任全国艺术职称考级中心首席专家，中央艺术名家书画院名誉院长，全国书画艺术委员会主席，央广国际文化交流艺术委员会副主席，中国通俗文艺研究会理事，人民美术艺术家委员会委员。被中国文学艺术界联合会与文化部文化艺术人才中心聘任为新时代文化艺术人才中心艺术顾问，书画英才栏目艺术顾问，央媒文化组委会艺术顾问，中国传统文化发展委员会顾问，北京中国毛体书法家协会顾问，中国楹联学会书画艺术院书法系教授，中国楹联学会书法艺术研究会副秘书长，中国楹联学会【中华国粹】诗词研究专刊第一届理事会副主席，【中华国粹】特约评论员，中国书法家协会、中华诗词学会会员，苏富比研究所研究员。中国非物质文化遗产传承人物，中国国宾礼形象大使，中国艺坛流派宗师，“兰亭高明柱体”字体设计师。创建首批中国文化名人工作室：高明柱工作室、高明柱艺术馆。被授予：东方之子、一代方家、人民艺术家、人民艺术十大家，中国当代十大德艺双馨艺术家，获书法艺术硕士学位，法兰西皇家美术学院艺术学博士学位。荣获中国文学艺术界学术奖，中国文化艺术节终身成就奖：金猴奖、金鸡奖、金犬奖。出版有《高明柱书法集》《艺术巨匠·高明柱》《百年巨匠·艺术典藏民族艺术名家高明柱作品精选》《中国国宾礼形象大使·高明柱》《新中国功勋艺术家档案·高明柱》《一代方家·高明柱名家艺术鉴赏》《高明柱艺术馆成立艺术特别专刊》《一带一路高峰论坛·中国著名书法家高明柱》《中国近现代名家书法集》高明柱卷大红袍等专辑，《鉴藏·中国近现代书画名家精品集》一书惠赠国家图书馆。

    高明柱先生受祖辈的影响和熏陶，自幼酷爱书法、诗词，先后毕业于河南书法函授院，中国书协书法培训中心研修班，上世纪60年代初执笔学习楷书，70年代学习隶书、篆书及毛主席的诗词手书，80年代始学习王羲之书法及历代名家书法，数十年如一日默默耕耘，临池不辍。在创作过程中善于汲取前人的经验和艺术精华，主张艺术源于生活，从平凡的生活中挖掘素材，擅长观察思考、提炼、升华，并获取创作灵感，师古不泥，大胆创新，经过反复锤炼，逐步形成了用笔圆润，线条流畅，潇洒飘逸的艺术风格，创作出大量为人称道的优秀作品。受到了范曾、欧阳中石、张海等老一辈艺术家的高度评价。范曾先生在人民大学国学开讲时提到高明柱是在“用心写字”并题“诗书皆佳”相赠。权希军先生在高明柱大红袍专辑的序言中写到：“高明柱先生的书法，从运笔、用墨、布局、章法等来看，其作品布局严谨而不呆板，灵动而不杂乱，行草挥洒自如，古韵悠长而刚柔并济。笔墨变化多姿，潇洒飘逸，既有浑厚苍劲的气劲，又有温柔秀雅的情韵，承传统于字里行间，出新度于法度之外。真正做到了思想性，艺术性，观赏性的统一，德艺双馨，已具有名家风范且能为其他书家创作提升提供了可凭借鉴的有益启示。”欧阳中石先生也精辟的评点其高明柱的书法：“综观他的书法作品使人感到新而不薄，就【鸿图国韵】来说，华而不媚，成篇作品不失法度，少字作品不失大器，柔刚相济，雄秀并举，血肉丰满，结构天成。师古而不泥古，求新而不取宠。此乃众多古人铸于心、予以笔，集百家之长融于他自己。”博采众长的书法家高明柱，他的行草取毛体之狂放，融二王之韵致，摄米南宫之笔意，挥洒自如，活泼灵动，古韵悠长而刚柔并济，雅俗共赏，开一代行草风格。书法直取自然万象入书，大气磅礴，匠心独具，其作品大开大合而不失肃穆儒雅，潇洒飘逸而不失浑厚稳重，痛快淋漓而不失规矩法度，实可谓动中寓静，以静致动，静以动美，动因静生，妙趣无穷，苍静有力，气度非凡，美不胜收，有滚滚风云一泻千里之势，自成一体。当代评论家玉山先生则评其高明柱书法称道：“高明柱的行草书，取毛体之豪放，融二王之遒劲，摄米南宫之率意欹险，行笔婉转流畅，洒脱自然，笔锋颖脱，墨线内转外拓，大开大合，露锋以纵其神，藏锋以包其势，字字之间或欹斜、映带、揖让、向背、偃仰、错落奇崛，勾连首尾，上下呼应，纵横布局，跳宕回环，一气贯注，势不可挡。通篇之下而又绵绵不绝，如江流绕芳甸，豪畅奔流。笔墨疾徐纵横，如激雷跳荡，风卷残云，字态龙腾虎跃，惊蛇入草，飞鸟入林，而收笔又无往不复，无垂不缩。除草书外，高明柱的行书遒厚丰润，格调清新，结字笔画均承法度而又新颖独到，呈现出清润秀逸、儒雅朴茂、高古邵秀之美”。中国新闻网评其高明柱书法：“高明柱老师的书法创作理念具有合理性，其创作实践也证明具有现实可行性和可借鉴意义，获中国书法界广泛认可。我们今天看他的作品，已经不能以传统意义上的书法来看待。他与众不同的地方就在于他思考传统、反思传统，这是他对当前书法的最大贡献。他的书法是改革开放和中华民族伟大复兴时代的产物，是21世纪习近平新时代中国特色社会主义时代之产物。它沿自传统是中国书法艺术发展至今的新创，它表明中华国粹之书法艺术没有衰落，依然充满着持续旺盛的生命力。”人民美术网在“感受深厚底蕴——人民艺术家高明柱书法欣赏”报道中评论高明柱书法：“高明柱先生作品，行施武功的连贯之法，大笔雄墨，如风似电，一笔而成，行笔施墨，让人眼花不解其轨，唯在凝神聚气之后，悟其定势之威。先生的笔墨张驰有力，字体苍劲飞动，字形宽广顿挫，能够表达出，心胸宽广的品德修养。先看作品整体感觉，再看细节特征，章法改变，结体夸张，浓淡相宜，使视觉冲击力出现了更多的节奏和韵律变化。高明柱先生的作品体现着他书法的根深底色，显示了他书法的文人潇洒，性情与法度结合和谐显成臻美的精彩。先生有潇洒却不浅薄，显张力远离轻薄，有法有度，自由风流，逸如云烟，相当悦目。有粗细立体的独特表达，字字可突盈纸面，大有空间质感！这是感性与理性相互加持的书法奇观。这样的书法作品，可以装饰万家屏障，成为先生在书坛大颂口碑的见证。”

    高明柱老师系2008首届全国十佳毛体书法家，2009年度感动中国十大艺术骄子，2011第二届中国最具网络人气美术家十大年度人物。 2012年中央电视台先锋中国先锋会客厅以“东方之子·高明柱”为题作三十分钟的专题报道；2013年为纪念毛主席诞辰120周年，向毛主席诞辰120周年献礼，120幅书法作品在中华世纪坛世界艺术馆成功展出，名家对话栏目作二十分钟的专题报道；2015年天津人民美术出版社出版发行【中国近现代名家书法集】高明柱卷大红袍专辑2000册，全国新华书店经销。被中国非物质文化遗产办公室授予：“中国非物质文化遗产出版物”并授予：高明柱“中国非物质文化遗产传承人物”；中国非物质文化遗产艺术委员会以《中国近现代名家书法集》命名“高明柱大红袍名家工作室”；2017年广东广播电视台古韵今谈栏目以“中国著名书法家高明柱”为题作专题报道；2018年书法作品作为国礼赠送给吉尔吉斯共和国总理府收藏，人民日报袭古创今栏目人物专访以高明柱“继古人之神韵、开时代之新风”为题作10分钟的专题报道；2019年文化部艺术发展中心资质认证：“当代著名书法家”，国学文化艺术中心专业艺术委员会决定正式授予：高明柱“国学大师”。2020年新华号以中国著名书法家高明柱：“字体飞动继古人之神韵 线条流畅开时代之新风”为题进行报道；2021年高明柱书法作品被国家版权局登记，兰亭字库工程工作委员会研究决定，高明柱字体纳入兰亭字库并命名为“兰亭·高明柱体”，特聘请高明柱老师为“兰亭高明柱体”字体设计师一职；2022年12月18日创作的书法作品《长城》、《长征颂》经编委会评审，分别入编国家文化公园主题画册长城篇、长征篇。

    书法作品毛泽东《沁园春·雪》镌刻于中国八达岭新长城。作品收录《决策中国网·中国影响力人物数据库》《美术里的中国》《共和国记忆·美术篇》《时代·新旗帜》《中华人民共和国年鉴》《中国美术年鉴》《中国美术选集》《艺术家列传》《文化月刊》《艺术人生》《百年巨匠》《书坛巨擘》《不忘初心》《香港印象》《故宫典藏》《人民美术》《人民艺术家》《艺术传承》《大国大家》《金牌艺术家》《国礼艺术大师》《中国当代书法史》《中国艺坛流派宗师》《中国艺术宝藏》《当代国艺圣手》《感动世界艺术巨匠》《传世经典·大师风范》《艺术传承·中华名人书画作品鉴赏》《一代方家·九大名家艺术鉴赏》《世界殿堂级艺术大师·孩子一生应该知道的二十位殿堂级艺术家》《中华传世诗书画全集》《中国艺圣·启功、高明柱双人集》《新中国诗词大典》《新中国诗词三百家》《新中国国学三百家》等。

    Gao Mingzhu, born in 1952, is known as Jingzhi and Xunjianzhai. His ancestral home is Dengzhou, Henan, and he resides in Beijing. Communist Party member, Maoist calligrapher, poet, national senior calligrapher, master of Chinese culture, century old master. Currently serving as the Chief Expert of the National Art Title Examination Center, Honorary Dean of the Central Academy of Fine Arts Calligraphy and Painting, Chairman of the National Calligraphy and Painting Art Committee, Vice Chairman of the CCTV International Cultural Exchange Art Committee, Director of the China Popular Literature and Art Research Association, and Member of the People's Art Artists Committee. Appointed by the China Federation of Literary and Artistic Circles and the Cultural and Artistic Talent Center of the Ministry of Culture as the art consultant of the New Era Cultural and Artistic Talent Center, the art consultant of the Calligraphy and Painting Talent Program, the art consultant of the Central Media Culture Organizing Committee, the consultant of the China Traditional Culture Development Committee, the consultant of the Beijing Chinese Maoti Calligraphers Association, the professor of the Calligraphy Department of the Calligraphy and Painting Art Academy of the Chinese Couplet Society, and the deputy secretary general of the Calligraphy and Art Research Association of the Chinese Couplet Society, Vice Chairman of the First Council of the Chinese Couplet Society's Poetry Research Special Issue on "Chinese National Essence", Special Commentator on "Chinese National Essence", Member of the Chinese Calligraphers Association and the Chinese Poetry Society, and Researcher at the Sotheby's Institute. Inheritor of China's intangible cultural heritage, ambassador for the image of China's national guest ceremony, master of Chinese art genres, and designer of the "Lanting Gao Ming Zhu Ti" font. Create the first batch of Chinese cultural celebrity studios: Gao Mingzhu Studio and Gao Mingzhu Art Museum. Awarded: Son of the East, Generation of Fangjia, People's Artists, Top Ten People's Art Masters, Top Ten Contemporary Chinese Artists with Both Virtue and Art, Master's degree in Calligraphy Art, and Doctor's degree in Art from the Royal Academy of Fine Arts in France. He has won the Academic Award of Chinese Literature and Art Circles, and the Lifetime Achievement Award of Chinese Culture and Art Festival: Golden Monkey Award, Golden Rooster Award Award, and Golden Dog Award. He has published Collected Calligraphy of Gao Mingzhu, Artist · Gao Mingzhu, Hundred year Artist · Art Collection, Selected Works of National Artist Gao Mingzhu, Image Ambassador of China's State Guests · Gao Mingzhu, Archives of New China's Meritorious Artists · Gao Mingzhu, Art Appreciation of a Generation of Founders · Gao Mingzhu, Special Issue on the Establishment of Gao Mingzhu Art Museum, the Belt and Road Summit Forum · Famous Chinese Calligrapher Gao Mingzhu The album "Collection of Chinese Modern Calligraphy Masters" by Gao Mingzhu and Da Hongpao, as well as the book "Collection of Fine Works of Chinese Modern Calligraphy and Painting Masters" by Jian Cang, are donated to the National Library.

    Mr. Gao Mingzhu was influenced and nurtured by his ancestors, and he loved calligraphy and poetry from a young age. He graduated from the Henan Calligraphy Correspondence Academy and the China Calligraphy Association Calligraphy Training Center training class. In the early 1960s, he started writing and studying regular script, in the 1970s, he studied official script, seal script, and Chairman Mao's poetry and calligraphy. In the 1980s, he began to study Wang Xizhi's calligraphy and the calligraphy of famous calligraphers of various dynasties, and worked silently for decades without stopping at Linchi. In the process of creation, he is good at drawing on the experience and essence of art of predecessors, advocates that art comes from life, excavates materials from ordinary life, and is good at observing, thinking, refining, sublimating, and obtaining creative inspiration. He learns from the past, is bold in innovation, and after repeated tempering, he has gradually formed an artistic style of rounded pen, smooth lines, natural and elegant, and created a large number of outstanding works that are praised by people. Received high praise from older generation artists such as Fan Zeng, Ouyang Zhongshi, and Zhang Hai. Mr. Fan Zeng mentioned during his lecture on Chinese Studies at Renmin University that Gao Mingzhu was "writing with heart" and presented him with the title "poetry and books are both excellent". Mr. Quan Xijun wrote in the preface of Gao Mingzhu's Dahongpao album: Mr. Gao Mingzhu's calligraphy, from the perspective of brushstroke, ink use, layout, and organization, has a rigorous but not rigid layout, flexible but not disorderly, and the flowing grass is free and easy to wield. The ancient charm is long and firm and soft, and the brushstroke is perse, natural and elegant, with both rich and vigorous vitality and gentle and elegant charm. It inherits the tradition between the lines of the text and creates a new dimension outside of the law. It truly achieves the unity of ideological, artistic, and aesthetic qualities, and is virtuous The double fragrance of art has already possessed the demeanor of a renowned calligrapher and can provide useful inspiration for other calligraphers to draw inspiration from Mr. Ouyang Zhongshi also insightfully commented on his Gao Mingzhu's calligraphy: "Taking a comprehensive view of his calligraphy works, people feel that they are new but not thin. In terms of [Hongtu Guoyun], his works are magnificent but not flattering, and his works with few characters do not lose their charm. His works are both soft and hard, with both male and female, and his flesh and blood are full, and his structure is natural. He learns from the past but does not adhere to the past, and seeks novelty but does not seek favor. This is what many ancient people have forged in their hearts and given their pens, integrating the strengths of a hundred schools into himself The calligrapher Gao Mingzhu, who draws on the strengths of various calligraphers, exudes the wild style of cursing and hair, blends the charm of the two kings, and captures the brushwork of Minan Palace,Free and easy to wield, lively and agile, with a long ancient charm that combines hardness and softness, enjoying both refined and popular tastes, creating a new generation of cursive style. Calligraphy directly incorporates all natural phenomena into the book, with great grandeur and unique craftsmanship. Its works are grand and elegant without losing solemnity and elegance, elegant and elegant without losing richness and stability, and enjoyable without losing rules and regulations. In fact, it can be said that in motion, there is stillness, and stillness leads to movement, and stillness is beautiful with dynamic motives. The reason is stillness, and the wit is endless. The calm and powerful, extraordinary demeanor, and beauty are unbearable, with the momentum of rolling winds and clouds flowing for thousands of miles, forming a self integrated whole. Contemporary critic Mr. Yushan praised his Gao Mingzhu calligraphy: The cursive script of Gao Mingzhu combines the bold and unrestrained style of the hair, the strength of the two kings, and the elegance and danger of the Minan Palace. The strokes are graceful and smooth, with a free and natural style. The strokes are sharp and free, and the ink lines turn inward and outward, opening and closing wide. The exposed front is used to stretch its spirit, while the hidden front is used to wrap its momentum. The characters may be tilted, reflected, bowed, turned back, tilted, and staggered with strange features, connecting the head and tail, echoing up and down, arranged vertically and horizontally, jumping back and forth. The whole article is unstoppable Beneath it, it is continuous and continuous, like a river flowing around a fragrant meadow, flowing freely. The pen and ink move swiftly and horizontally, like thunder and lightning, sweeping clouds and wind. The character is like a dragon leaping and a tiger leaping, a snake startled into the grass, a bird flying into the forest, and the ending of the pen is timeless and unyielding. Outside the weeding book, the running script of Gao Mingzhu is thick and plump, with a fresh style. The strokes of the characters follow the tradition and are novel and unique, presenting the beauty of being clean and elegant, elegant and simple, and elegant. Chinese News Network commented on Gao Mingzhu's calligraphy: Professor Gao Mingzhu's calligraphy creation concept is reasonable, and his creative practice has also proven to be practical and valuable, which has been widely recognized in the Chinese calligraphy industry. When we look at his works today, we can no longer view them in the traditional sense of calligraphy. What sets him apart is that he thinks about tradition and reflects on it, which is his greatest contribution to current calligraphy. His calligraphy is the reform and opening up and the great rejuvenation of the Chinese nation It is a new innovation in the development of Chinese calligraphy art from tradition to the present day, indicating that the calligraphy art, the essence of Chinese culture, has not declined and is still full of sustained and vigorous vitality In a report on "Feeling Deep Foundation - Appreciation of People's Artist Gao Mingzhu's Calligraphy", People's Art Network commented on Gao Mingzhu's calligraphy: "Mr. Gao Mingzhu's works use a coherent method of martial arts, with a large amount of vigorous ink, like wind and electricity, written in one stroke, with each stroke applied in ink,It makes people dizzy and unable to understand its path, only after focusing on gathering qi, can they realize the power of its fixed posture. Mr. Zhang's pen and ink are powerful, the font is vigorous and dynamic, and the font is wide and abrupt, which can express a broad minded moral cultivation. Let's first look at the overall feeling of the work, then at the detailed features, changes in composition, exaggerated structure, and appropriate intensity, resulting in more rhythmic and rhythmic changes in the visual impact. Mr. Gao Mingzhu's works reflect the deep foundation of his calligraphy, showcasing the literati's natural and unrestrained style, and the harmonious combination of temperament and method showcasing the brilliance of perfection. Sir, he is elegant but not shallow, showing tension far away from lightness, having a method and degree, free and flowing, as elegant as clouds and smoke, quite pleasing to the eye. There is a unique expression of thickness and depth, with characters that can protrude onto the paper surface, giving it a great sense of spatial texture! This is a calligraphy spectacle that combines sensibility and rationality. Such calligraphy works can decorate the barrier of thousands of families and become a witness to the great praise and reputation of the master in the literary world

    Teacher Gao Mingzhu was one of the top ten Maoist calligraphers in China in the first edition of 2008, one of the top ten art masters who touched China in 2009, and one of the top ten most popular online artists in China in the second edition of 2011. In 2012, CCTV Pioneer China Pioneer Reception Hall gave a 30 minute special report titled "Son of the East: Gao Mingzhu"; In 2013, in commemoration of the 120th anniversary of Chairman Mao's birth, 120 calligraphy works were successfully exhibited at the World Art Museum of the China Century Monument, and a 20 minute special report was presented in the Celebrity Dialogue column; In 2015, Tianjin People's Fine Arts Publishing House published and distributed 2000 copies of Gao Mingzhu's Da Hongpao album titled "Collection of Chinese Modern and Contemporary Calligraphy Masters", which was distributed by Xinhua Bookstore nationwide. Awarded as "China Intangible Cultural Heritage Publication" by the China Intangible Cultural Heritage Office and awarded as "Inheritor of China Intangible Cultural Heritage" by Gao Mingzhu; The China Intangible Cultural Heritage Art Committee named "Gao Mingzhu Dahongpao Famous Artists Studio" after the "Collection of Calligraphy by Chinese Modern and Contemporary Masters"; In 2017, the Gu Yun Jin Tan program of Guangdong Radio and Television Station gave a special report titled "Famous Chinese Calligrapher Gao Mingzhu"; In 2018, calligraphy works were presented as a national gift to the collection of the Prime Minister's Office of the Kyrgyz Republic, and a 10 minute special report titled "Inheriting the Charm of the ancients and Opening up a New Era" was conducted by Gao Mingzhu in the column "Inheriting the Ancient and Creating the Present" of the People's Daily; In 2019, the qualification certification of the Art Development Center of the Ministry of Culture was "Contemporary Famous Calligrapher". The Professional Art Committee of the National Studies Culture and Art Center decided to officially award Gao Mingzhu as "National Studies Master". In 2020, the Xinhua News Agency reported on the famous Chinese calligrapher Gao Mingzhu, titled "The font flies, inherits the charm of the ancients, the lines flow smoothly, and opens up a new trend of the times"; In 2021, Gao Mingzhu's calligraphy works were registered with the National Copyright Administration. The Lanting Font Library Engineering Working Committee decided to include Gao Mingzhu's font in the Lanting Font Library and name it "Lanting · Gao Mingzhu". We specially hired Gao Mingzhu as the font designer for "Lanting Gao Mingzhu"; The calligraphy works "The Great Wall" and "Ode to the Long March" created on December 18, 2022 were reviewed by the editorial committee and respectively included in the National Cultural Park Theme Album "The Great Wall" and "The Long March".

    Mao Zedong's calligraphy work 'Qinyuan Spring Snow' is engraved on the New Great Wall of Badaling in China. The works are included in the "Decision Making China Network · China Influential Figures Database", "China in Art", "Memory of the Republic · Art Chapter", "Times · New Flag", "Yearbook of the People's Republic of China", "Yearbook of Chinese Art", "Selected Works of Chinese Art", "Biographies of Artists", "Culture Monthly", "Art Life", "Centennial Master", "Literary Giant", "Don't Forget Your Original Heart", "Impressions of Hong Kong", "Collection of the Forbidden City", and "People's Art" Artists of the People, Inheritance of Art, Masters of Great Powers, Gold Medal Artists, Masters of National Rites, History of Contemporary Chinese Calligraphy, Masters of Chinese Art Schools, Treasures of Chinese Art, Masters of Contemporary Chinese Art, Touching the World's Artists, Classics of the World, Master Style, Inheritance of Art, Appreciation of Chinese Famous Calligraphy and Painting Works, and Appreciation of the Nine Famous Artists of the One Generation Fang Family World Hall level Artists: Twenty Hall level Artists that Children Should Know in Their Lifetime "," Complete Collection of Chinese Poetry, Calligraphy and Painting "," Collection of Chinese Art Saint Qigong and Gao Mingzhu "," New China Poetry Classic "," Three Hundred New China Poetry Schools "," Three Hundred New China Traditional Chinese Studies Schools ", etc.