开世界之门，铸民族之魂——世界级艺术大师代表人物黄映元专题报道

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黄映元|Huang Yingyuan

    黄映元，男，汉族，1955年生于四川南江，大学本科，学士学位，中共党员，退伍军人。中国硬笔书法协会会员，中国书法家协会会员，中国高级书画家协会会员，中国书画院会员，中国书画家联谊会会员，中国书画家联谊会新文艺群体书画家工作委员会会员，中国楹联学会会员，中国楹联学会书法艺术研究会常务理事会副主席，中国行业发展研究中心传统文化艺术行业高级研究员，中国行业发展研究中心专家委员会荣誉副理事长，国家文化研究院理事，中南海国礼中心国礼艺术家，中国国宾礼特供艺术家，中国服务贸易协会国际工作委员会委员，国家高级书法师，中央美术学院客座教授。荣获“全国劳动英模”和“全国首批传统文化艺术行业优秀人才模范”荣誉勋章。

    黄映元先生的篆书作品先后入选2009年中国文化艺术交流展在欧洲多国展出和交流，荣获“中欧文化艺术特使”和作品“金奖”。荣获2009年“和平女神杯”首届国际书画大展赛“和平奖”和第一届国际书画艺术大奖赛“荣誉金奖”。入选2010年中国上海世博会国礼采购作品和2011年献礼奥地利国庆大典的中国国礼。2015年在北京国粹园文化艺术交流中心举办个人作品展，接受中央电视台《魅力故乡》栏目组专题采访。2016年作品先后被北京八达岭长城、人民大会堂、中南海国礼中心、中韩文化交流协会等收藏，并镌刻在北京八达岭新长城。个人被聘为中南海国礼中心“国礼艺术家”，被中国教育电视台评选为“中国十大最具社会责任感艺术家”。2017年作品献礼全国“两会”在全国人大会议中心展出。2018年作品先后在北京保利国际会展中心和中国国家画院国展美术中心展出。2019年作品先后被中国书画家联谊会和中华人民共和国外交部收藏；入选献礼全国“两会”在全国政协礼堂展出；入编《人民代表报》艺术专刊——《我为两会代言特邀艺术代表》献礼全国两会；入编中央美术学院《中国高等美术院校教学范本》；入选“庆祝中国和匈牙利建交70周年艺术展”在匈牙利国会大厦展出；入选庆祝中华人民共和国成立70周年“国礼玉璧”书画图案，荣获庆祝中华人民共和国成立70周年“特殊贡献奖”和庆祝建国70周年国庆阅兵“受阅纪念章”。2020年作品毛泽东诗词《沁园春.雪》先后被中国国家博物馆和中国美术馆收藏。2021年出版个人作品专集《特邀艺术代表献礼全国两会专刊》献礼全国两会；作品《中国梦》和《不忘初心，牢记使命》入选“中华国礼，传世国瓷”国礼瓷盘文化图案，献礼庆祝中国共产党成立100周年。2022年作品入选中央电视台《时代焦点人物》和中国邮政《一带一路首届中欧艺术邮票鉴藏年》邮票图案。2023年作品入编中国文联文献出版社编辑出版的《中国书法教育名师名作教学范本》全国发行，作品毛泽东词巜沁园春 . 雪》被国家人民大会堂再次收藏；参加中央电视台特邀艺术家代表“助力乡村振兴全国巡回”公益活动并捐献作品。

    Huang Yingyuan, male, Han nationality, was born in 1955 in Nanjiang, Sichuan. He holds a bachelor's degree from a university and is a member of the Communist Party of China. He is a retired soldier. Member of China Hard Pen Calligraphy Association, Member of China Calligraphers Association, Member of China Advanced Calligraphers and Painters Association, Member of China Academy of Calligraphy and Painting, Member of China Calligraphers and Painters Association, Member of the New Art Group Calligraphers and Painters Working Committee of China Calligraphers and Painters Association, Member of China Couplet Association, Vice Chairman of the Executive Council of China Couplet Association Calligraphy Art Research Association, Senior Researcher of Traditional Culture and Art Industry at China Industry Development Research Center, Honorary Vice Chairman of the Expert Committee of the China Industry Development Research Center, Director of the National Cultural Research Institute, National Ritual Artist of the Zhongnanhai National Ritual Center, Chinese State Guest Ritual Special Supply Artist, Member of the International Working Committee of the China Service Trade Association, National Senior Calligrapher, and Visiting Professor of the Central Academy of Fine Arts. Received the Honorary Medal of "National Labor Model" and "One of the First Batch of Excellent Talents in the Traditional Culture and Art Industry in China".

    Mr. Huang Yingyuan's seal script works have been selected for exhibition and exchange in various European countries at the 2009 China Culture and Art Exchange Exhibition, and have won the "China Europe Cultural and Art Envoy" and the "Gold Award" for his works. Received the "Peace Award" at the first International Calligraphy and Painting Exhibition of the 2009 "Goddess of Peace Cup" and the "Honorary Gold Award" at the first International Calligraphy and Painting Art Grand Prix. Selected as a national gift procurement work for the 2010 Shanghai World Expo and a Chinese national gift for the 2011 Austrian National Day celebration. In 2015, he held an exhibition of his personal works at the Beijing National Culture and Art Exchange Center and received a special interview from the CCTV program "Charming Hometown". In 2016, his works were successively collected by the Beijing Badaling Great Wall, the Great Hall of the People, the Zhongnanhai National Ritual Center, the China South Korea Cultural Exchange Association, and engraved on the Beijing Badaling New Great Wall. I have been hired as a "National Rites Artist" at the Zhongnanhai National Rites Center and have been selected by China Education Television as one of the "Top 10 Most Socially Responsible Artists in China". The 2017 work presented as a gift to the National People's Congress and the National People's Congress was exhibited at the National People's Congress Center. In 2018, his works were exhibited at the Poly International Convention and Exhibition Center in Beijing and the National Exhibition Art Center of the Chinese Academy of Painting. In 2019, his works were successively collected by the Chinese Calligraphers and Painters Association and the Ministry of Foreign Affairs of the People's Republic of China; Selected as a tribute to the National "Two Sessions" and exhibited in the National Political Consultative Conference Hall; I have been included in the art special issue of the People's Representative Daily - "I am the Special Invited Art Representative for the Two Sessions" to present a gift to the National Two Sessions; Incorporated into the Central Academy of Fine Arts' Teaching Model for Higher Art Institutions in China '; Selected for the "Art Exhibition Celebrating the 70th Anniversary of Diplomatic Relations between China and Hungary" and exhibited at the Hungarian Parliament Building;Selected to celebrate the 70th anniversary of the founding of the People's Republic of China with the "National Rites Jade Bi" calligraphy and painting pattern, won the "Special Contribution Award" to celebrate the 70th anniversary of the founding of the People's Republic of China and the "Reading Commemorative Medal" to celebrate the 70th anniversary of the founding of the People's Republic of China. In 2020, Mao Zedong's poem "Spring and Snow in Qinyuan" was successively collected by the National Museum of China and the National Art Museum of China. In 2021, he published a special collection of personal works titled "Special Invitation of Art Representatives to Present to the National Two Sessions" to present to the National Two Sessions; The works "Chinese Dream" and "Never forget the original intention, remember the mission" were selected into the national ritual porcelain plate cultural pattern of "Chinese national ritual, handed down national porcelain" to celebrate the 100th anniversary of the founding of the CPC. In 2022, the work was selected as the stamp pattern of CCTV's "Focus of the Times" and China Post's "the Belt and Road First Sino European Art Stamp Collection Year". In 2023, the work was included in the "Teaching Model of Famous Calligraphy Education Masters in China" edited and published by the Literature Publishing House of the China Federation of Literary and Art Circles, which was distributed nationwide. The work is directed by Mao Zedong's lyrics to Qinyuan Spring Snow "was once again collected by the Great Hall of the People of China; Participated in the "Assisting Rural Revitalization National Tour" public welfare activity and donated works on behalf of a specially invited artist from CCTV.

不遗余力修文化，功成高古传龙脉

一一记著名书法家黄映元先生的篆书艺术                            

    黄映元先生的篆书以深厚的中华文化、中国文字和中国书法的综合研习为基础，以中华文化的审美思想为创意，集古今书体精华于一体，自成风格，独树一帜。他极具思想感染力和艺术欣赏性的篆书作品，总是让人赏心悦目，意味无穷，给人以精神力量和美感享受。中华文化的阴阳中和之意，中国文字笔墨线条的曲直虚实之美，均在他篆书的结构意境和笔墨挥运中完美体现，感之灵动，品之神韵，其造诣之深，功力之厚，应为引领古今篆风的时代美品 。他取法篆书成熟之前的甲骨风格，重拟龟文，再现龙鳞，将笔迹收放行于篆书，又跨越式地将楷书方正古直的结体方式引于篆书之中，把篆书的气韵美感从单一的宽和引向了多重的对比，产生了更加多元的篆书至美元素。 所以说，精于篆书的高古创作，不仅仅是他个人的书法造诣，也是民族文化得以承源的功德。

    他修炼篆书，有着非常开阔的广纳视野，在碑学严谨的基础上，左右寻源，前后取法，不把篆书作为孤立的存在而进行呆板的复现，而是把篆书当成一个可以绕而公转的文化核心，有意把甲骨文、钟鼎文、隶书、魏碑、楷书、行草等诸多精妙的笔法融合进篆书的创作，让篆书一体在核心的位置上神姿换发，再现奇观。所以，我们看他的篆书在结体对称法度严谨的基础上，会显观笔法和墨韵的丰富多彩。

篆书融入隶书、魏碑、楷书、行草的顿挫节奏，行运有绞转，通过熟练的调锋之法，全面体现出中锋行笔的劲道圆厚。笔法的变化，让篆书在规整的框架内，又显示出磅礴的笔品张力。而这种张力的存在，在当代书坛并没有第二位书法家得成这种造诣，向前推吴昌硕与赵之谦的书法有此功力显成。当代写篆书，一般就是注意了笔法的柔性与圆性，他的书法却是刚柔相济，方圆通能，丰富的笔法正是汲取诸体的功成。所以黄映元先生的篆书一体，对当代书坛来说，具有鲜明的承前启后的集成要素。这就是他持开放的思路，酝酿篆书新风，食古而化进取开拓的标高造诣。

    更为可贵的是，他的篆书有用墨上更显独树一帜的表现水准。篆书不讲墨感事实上是一种书法的流弊，流弊的产生有客观的原因，主要是篆书缺少原状帖本供观瞻墨韵，无法可师。主观原因则是书法家感触能力不足，不能通过入心的揣摩去断想篆书墨韵的本来面貌。黄映元修炼篆书，虽然无帖本，但是他对碑字刻迹中的篆书有着极其通心的墨韵触生能力，观碑而悟墨，利用文化修养的极致功夫，把篆书本来应该有的韵墨变化揣摩成功，所以执笔写篆书，不但工于结体和笔法，也精彩于墨色的干湿浓淡变化，篆书得墨韵五彩，飞白苍劲，可谓前无古人，今是来者！他的墨韵篆书，找到了书法基于碑学而创帖学气脉的通路，不仅仅是书法的成就，也是文化的功成！

不遗余力修文化，功成高古传龙脉。他的篆书整体观感结体中正端庄，用笔平稳流畅，墨显气韵生动，在简捷爽约中写气魄宏大，举重若轻，流利飘逸。篆书传承秦风的威严，又加注个人书风的雄奇神采，仰观笔墨入庙堂，径入强劲最骨力，作为诸书之祖，显成千古不易之法。

著名书画评论家 央视评论员 史峰

2021年11月21日于北京

Spare no effort in cultivating culture, and pass down the dragon vein from ancient times with great achievements

On the Art of Seal Calligraphy by Famous Calligrapher Mr. Huang Yingyuan

    Mr. Huang Yingyuan's seal script is based on the comprehensive study of profound Chinese culture, Chinese characters and Chinese calligraphy, and is creative with the aesthetic thought of Chinese culture. It integrates the essence of ancient and modern calligraphy, and has its own style. His highly thought-provoking and artistic seal script works are always pleasing to the eye, with endless meanings, giving people spiritual power and aesthetic enjoyment. The meaning of the harmony between yin and yang in Chinese culture, as well as the beauty of the curved, virtual, and solid lines of Chinese writing, are perfectly reflected in the structural artistic conception and brushwork of his seal script. The sense of agility, the charm of taste, the depth of his proficiency, and the strength of his skills should be the beauty of the times leading the ancient and modern seal script style. He adopted the oracle bone style before the maturity of the seal script, remastered the turtle script, reproduced the dragon scales, and incorporated the handwriting into the seal script. He also leapfrog introduced the square and straight structure of the regular script into the seal script, leading the charm and beauty of the seal script from a single width to multiple comparisons, resulting in a more perse element of beauty in the seal script. So, the ancient creation of Gao Gu, who is proficient in seal script, is not only his personal calligraphy skills, but also the virtue of inheriting national culture.

    He cultivates seal script and has a very broad and inclusive perspective. Based on the rigorous study of steles, he searches for the source from left to right, selects the method from front to back, and does not blindly reproduce seal script as an isolated existence. Instead, he regards seal script as a cultural core that can be revolved around. He intends to integrate many exquisite brushwork techniques such as oracle bone script, Zhong Ding script, Li script, Wei stele, regular script, and cursive script into the creation of seal script, Let the seal script be integrated in the core position with a pine transformation, reproducing the wonders. So, when we look at his seal script, based on the rigorous symmetry and precision of the structure, we will see the rich and colorful brushwork and ink rhyme.

    The seal script incorporates the rhythmic rhythm of official script, Wei stele, regular script, and cursive script, with twists and turns in the movement. Through skilled techniques of adjusting the front, it comprehensively reflects the strength and roundness of the center's strokes. The changes in brushwork have allowed the seal script to display a majestic tension within a regular framework. And the existence of this tension has not been achieved by the second calligrapher in the contemporary calligraphy world, and the calligraphy of Wu Changshuo and Zhao Zhiqian has demonstrated this skill. In contemporary seal script writing, attention is generally paid to the flexibility and roundness of the strokes. However, his calligraphy is a combination of hardness and softness, and the rich strokes are derived from the achievements of various forms. So Mr. Huang Yingyuan's seal script integration has a distinct integrated element that connects the past and sets the stage for the contemporary literary world. This is his open-minded approach, brewing a new trend in seal writing, and his high level of expertise in exploring and transforming from ancient times.

    What is even more valuable is that his seal script has a more unique level of expression on ink. The fact that seal script does not emphasize ink sense is actually a malpractice of calligraphy, and there are objective reasons for the occurrence of these malpractices, mainly due to the lack of original copy for observing ink rhyme in seal script, which cannot be learned. The subjective reason is that calligraphers lack the ability to perceive and comprehend the original appearance of seal calligraphy and ink rhyme through deep contemplation.Huang Yingyuan practiced seal script, although there was no copy, he had an extremely intuitive ability to touch the ink rhyme in the inscriptions on the stele. By observing the stele and comprehending the ink, he utilized the ultimate effort of cultural cultivation to successfully figure out the changes in the ink rhyme that seal script should have. Therefore, when writing seal script, he not only focused on the structure and brushwork, but also excelled in the changes in the dry and wet color of the ink. The seal script achieved a colorful ink rhyme, flying white and vigorous, which can be said to be unprecedented. Today, he is the one who has come! His ink rhyme seal script has found a way for calligraphy to create a calligraphy style based on stele learning. It is not only an achievement of calligraphy, but also a cultural achievement!

Spare no effort in cultivating culture, and pass down the dragon vein from ancient times. His seal script has a positive and dignified overall appearance, with smooth and fluent brushstrokes and vivid ink. In a simple and straightforward manner, he writes with grand grandeur, with a light weight, fluent and elegant style. The seal script inherits the majesty of the Qin style, while also embodying the grandeur of personal calligraphy style. Looking up at the calligraphy and calligraphy entering the temple, one enters the strongest and most powerful path. As the ancestor of all books, it has become an eternal and difficult method.

Famous calligraphy and painting critic, CCTV commentator, Shi Feng

Beijing, November 21, 2021